Tag Archive: self publishing decisions


Turning my print book “Just A Couple Of Chickens” into an ebook as a Do It Your Self Publisher

just a couple of chickens on kindle

Just A Couple Of Chickens is now available on Amazon Kindle… high five for Do It Your Self Publishing!

When I enter the phrase “self publish a book” into Google, I get pages of hits that are actually vanity presses: companies that I can pay to do the publishing for me.

I suppose that is one interpretation of self publishing, but it isn’t what I mean.

I mean “do it your SELF publishing”.

Of the growing number of authors who are self publishing, there are a smaller (but growing) number who are coming up to an intersection called Print Book or eBook. They are discovering that the same materials required for the print book will not automatically translate straight to an ebook.

Yes, a file has to be saved as a PDF for upload to a print-on-demand service for the print book, but very rarely is that same PDF file going to work as-is for an ebook. I’d say never, but I’m supposed to never say never.

I set out, three weeks ago, to produce a Kindle version of “Just A Couple Of Chickens”, which has been for sale on Amazon.com since December 2010.

At first, I was delighted to see that Createspace had a button on my book dashboard saying “Publish On Kindle,” along with a download button for two files: the cover and the interior of my book – for Kindle!

I hopped merrily along to Kindle Direct Publishing (KDP), with my files, and while the cover file worked well – the interior did not. Not not not. At. All.
And that was the file that Amazon offered me to use on Amazon – for my cooliorageous new ebook.

I learned that it is very easy to publish a messy looking ebook with no navigation, but it is not easy to publish a good looking ebook with standard navigation.

sigh.

For those of you who know something about ebooks, which I did not three weeks ago, you will understand my journey when I admit that my first question was “What is an NCX file?”

And for those of you who don’t know… get ready to climb that learning curve. Pack a lunch.

BUT!  I did it. Myself.

These bullet points were earned in metaphysical sweat and tears, and they are a beautiful thing for anyone interested in “do it your self publishing of a kindle ebook”:

  • You will make a separate file for your kindle ebook. It will not be the same file for the same book in the different ereader formats. 
  • KDP is publisher for Kindle, and many people use Smashwords as the publisher for everything else.
  • The technology behind this process, and therefore all of the how-to directions, are changing so fast that you will probably discover something new and buggy during your process. You must use The Force.
  • eBooks have no page numbers. You do not control the font. You are at risk of not controlling the page breaks. Navigation is important and you are better-off setting that up in MS Word, using styles, headings, and bookmarks.
  • I don’t know if the InDesign kindle plugin works or not because it only works on CS5 or later and I have an earlier version of Adobe Creative Suite.
  • The Word document must be super clean and simple – see the Smashwords Style Guide by Mark Coker. Most Word documents are not super clean and simple.
  • KDP will let you upload a word docx but it will look crappy. Use  a Word doc – but unless you did something htmlantizing, you won’t have a nice looking Go To,
  • For that, I used Calibre because I’m on a Mac. 
  • If you are on a PC, good luck using mobipocket – I couldn’t resolve Windows 7 and Internet Explorer 8. And I really tried.
  • If you really can find someone who really will Kindle your book for less than $100, pay the money. Make super sure that the offer includes Go To navigation with the chapters listed. Tell them up front if you have images in your book and read the fine print on the offer to be sure your price is still going to be less than $100 after they get started.

To all of the tech-heads who posted how-tos on forums, chats, article sites, blogs, comments, and free ebooks… thank you.

Oh, and I almost forgot… “Just A Couple Of Chickens” is now available on Kindle!!!  WahOOOOOOOOOO!

 

 

How Does Self Publishing An E-Book Lead To A Big Book Deal?

corinne tippett and the westchester press

Writers dream of big book deals with traditional publishers, or big sales income from self published books. The big blue skies of Amazon.com pervade both dreams.

In the chaotic clouds of The New Publishing Landscape, one (of many) possible pathways to making money as a self published author is starting to emerge.

By learning how to self publish a book, an author can produce work that will not only be out there in readerland, possibly earning money from the start, but could also lead directly to a big traditional book deal.

Here is how:

  • A writer writes a Really Good Book (note… the book has to be really good…)
  • The writer self publishes the book as an e-book on Amazon.com (note… it has to be on Amazon.com…)
  • The writer markets the e-book and it begins to sell, then sells some more (note… the odds on the book selling – even with marketing – are slightly better than winning the lottery, and slightly worse than being nibbled by a shark near a beach in Florida)
  • The e-book rises in rank on the Amazon.com bestseller list (note… the rank rise is directly related to the previous bullet…)
  • Traditional publishers, who are watching the Amazon.com lists, decide to take a chance on the already proven sales of the writer and her e-book (no note required)
  • Amazon.com, seeing that traditional publishers are beginning to poach the self published shoals of profitably-selling books, jumps in and offers the writer a traditional-style book deal directly (note… meaning that Amazon.com is not only a place where an writer can self publish a book, but it is also a traditional-style publishing house itself.)

This pathway to traditional publishing has already happened for some now-big-name writers, and is happening more and more. In a related, but reversed, scenario, some traditionally-published authors are beginning to self publish their work, relying on their existing fan-base.

It does, however, all come down to sales.
Write a really good book, self publish it as an e-book, market it well, and…. voila!  (maybe…)

My first self published book was only a print book, and will soon be available as an e-book. Let’s see how it goes!

 

Successful Self Published Author Spotlight – Hugh Howey and WOOL

 

review of wool omnibus

I bought the Wool-Omnibus e-book as a nook book, and it was a fantastic read. Hugh Howey is a do-it-yourself self published author, and I am a big fan!

Hugh Howey wrote Wool-Omnibus, which I just finished reading – and it is Really Good. I totally recommend it.
He used e-book technology to self publish a book. And he is on the bestseller list now.

Hugh started Wool as a series, and put it out himself as an e-book on Amazon. The book got a good response. He wrote more and in 2011, the story hit the big time – still as an e-book. Wool – Omnibus is the series, seamlessly pulled together as a full-length book. It sold enough copies to gain the attention of film producers and traditional publishers, and Hugh was able to negotiate a book deal he was happy with.

This is the kind of self publishing success story I have been watching for, where an author self publishes a book and then moves into traditional publishing based on the success of that book. Hugh Howey has done it with fiction, beating even more of the odds – since I think it is harder to sell fiction in any form, especially as a self publisher.

His success stems from

  • a really well-written book,
  • a uniquely intriguing original story,
  • and by having used the self publishing system and technology well.

Congratulations to Hugh, and as a Wool fan, I’m looking forward to more of the story!

Hugh’s website is also very cool – it’s got the kind of info and communication readers want from our authors – and is fascinating for anyone interested in self publishing a book.

In particular, Hugh Howey’s path was through e-books. He underpriced his books, making it very easy for a reader to take a chance, give it a whirl. The list price was not much of an obstacle, and the power of his storytelling gained word-of-mouth momentum. His bio on his website indicates some computer background, and so doing the e-book himself was clearly within reach. Only now, with his consistent presence on bestseller lists, is he coming out with physical books. Those are being produced by Simon and Schuster, the traditional way.

I look forward to adding spotlight authors to this series of posts – Successful Self Published Authors. Writers are making it work, and it isn’t pure luck. It’s about a great story, the right technology, and not giving up…

 

 

What is an ISBN? (International Standard Book Number)

Self Publishing Butterflies Buy Their Own ISBNs

The butterfly (representing a free ISBN from a self publishing company) is not the focus of the effort… it is the leaf supporting the butterfly (which represents your own self publishing company). Own your own ISBN, so it doesn’t matter where your butter flies.

The ISBN, the International Standard Book Number, is of particular concern to a publisher… and is generally confusing for an author.

But it is THE definition of a Do It Your Self publisher.

Owning the ISBN is the difference between being a self publisher who is a publisher and being an author who has engaged self publishing services. My self publishing advice is that you should own your ISBN and get a business license for your self publishing company. It’s worth the effort, which isn’t a huge effort, and worth the cost, which is a large-ish up front cost for the pack of 10 numbers, but comes out to about $30 per book.

The ISBN is a 13 digit number used to identify both the book and the publisher. Many self publishing service providers offer to assign one for free to your book project, and that will mean that their publishing company will come up under the listing for your book title until you re-publish with another number or another company. With all the marketing effort I put into my books, I prefer to own my own ISBN and therefore have the number follow my title no matter where or how I print it and offer it for sale.

The ISBN is not the same as the barcode. You can buy the barcode when you buy the ISBN, but you don’t have to. There are ways to make the barcode later, and if you don’t ever produce a short print run outside of the print-on-demand service, you won’t ever need it. When I publish through CreateSpace, I provide my own ISBN, and they use it to generate my barcode automatically.

ISBNs used to be 10 digit numbers, but then the earth’s population exploded with book-reading mammals and ISBNs needed to expand to 13 digits. There’s a converter for the 10 digit numbers to get them to conform to modern standards… you don’t just assign zeros to one end.

ISBNs are unique to a particular edition of a book. You can correct typos without using a new ISBN, but you can’t change content. An ebook, even if it is identical to the print book, will have a different ISBN.

By using my own ISBN number, I can do a print run outside of CreateSpace and keep the same ISBN number (and I also have to keep the same trim size and page count). If I accept the free number from CreateSpace… or any of the other companies that offer it, then I am not supposed to use that number as I produce the book in any other way. I retain all my options by using my own number.

The ISBNs are available online from only one company. While I can buy one, I prefer to buy the pack of 10 because I know I will use them, and they will be mine… all mine…. Bwahahahaha!

 

 

Definitions of “Making Money” With A Self Published Book

Self Publishing a Book is like planting a garden

Tulip farmers count cash costs and infrastructure costs… and so must self publishers.

Most authors who self publish a book intend to make money selling it. Or at least want to break even on their costs.

As with any business venture, it’s important to define making money… and to measure results.

The cash costs of self publishing are easier to track than the infrastructure and effort. And keeping cash costs to a minimum is one way to get closer to breaking even or making money, but spending the right amount on editing and cover design is important in the same way.

My list of cash costs includes:

  • $30 for the ISBN number (it’s about $300 for a pack of 10)
  • $35 for copyright registration, filed before I self publish or submit to traditional publishers
  • $10 for proof and shipping of a finished hard copy of the book (this doesn’t count for an ebook)
  • $15 for a domain name (per year) for a website for my book. (I can make the website on a free site, but the domain is a yearly fee)
  • $50 for my assumed business name (business license fee)

My list of infrastructure and effort costs includes:

  • the internet and computer I use to write and produce the book
  • the skills I’ve learned to do book design, website design, book marketing, and self publishing
  • the space, furniture, utilities, and supplies I’ve used while working on the project
  • the time… my time… so. much. time…

And I can’t assign a dollar value to the second list. So once my book earnings top my cash outlay, at what point do I declare that I’m making money with my self published book?  Especially since I complicated my bottom line by paying for a professional cover and making a third short print run. Because I do count the second list as having a cash value… particularly due to the skills I’ve learned, since I’ve used them to get jobs to support my self publishing aspirations.

I track the costs, and I consider the effort… and I define making money as first earning back my cash outlay, and then earning money toward the infrastructure costs. And I value all the additional things that self publishing a book has brought into my life.

 

Should I Submit My Book To Traditional Publishers? Or Should I Self Publish My Book?

Col. C. J. Tippett draft cover for his memoir about his aviation pioneering life

This is a mockup of a draft cover for Col. C. J. Tippett’s memoir, embedded in my new book about him. Handsome grandfather! Well, he wasn’t my grandfather at that time… and the book is in advanced draft, entering the submission to publishers cycle – before I go ahead and self publish. Which will it be?

I’m holding a complete advanced draft of my book about my grandfather, Col. C. J. Tippett, and his aviation pioneering adventures in my hand, and I’m asking myself:

Should I submit to publishers?  Or should I self publish?

And I am a self publisher, and one of my topics on this website is How To Self Publish A Book!

I’m not alone wondering. Many authors holding a finished, or near-finished, manuscript are wondering. And if they aren’t, then as they enter the traditional publishing submission cycle, they will be. Many authors, and publishers, and agents, believe that there is a mark of professionalism – a stamp of approval – a badge of belonging – a mantle of accomplishment…. to a traditional book deal and I agree. There is.  The only way for a self published author to earn a similar mark, stamp, badge, mantle is to sell enough books to either make a profit, attract a bigger publisher, or both.

But there is another very practical aspect that drives the question.

Self publishing is a lot of work, and financing a print run large enough to make a profitable deal with book distributors takes a lot of money. Traditional publishers take on that financial burden, but then the self publisher may be giving up more earning potential on each book sale. If there are enough book sales to make a profit.

And so the spinning dervish of the decision goes round and round and round.

Here is another perspective that I hope can help. The traditional book proposal process forces me to carefully review and prepare my book’s marketing potential. I have to do this anyway to successfully self publish my book.

I have to write a catching introduction, describe my book briefly yet thoroughly, summarize each chapter, choose sample chapters, write a pertinent personal bio that does not contain “I started writing at age 8″… (ruh roh, …) and package it all up with a marketing plan that includes a discussion of competitive titles.

So why not go through the book proposal process (doing it properly and carefully) and submit to agents and publishers that I really do think might be interested in my project?
I can’t think of any reason not to.

I take it further, and continue to submit my books even after I have self published – starting my letters with “My book has sold over 1500 copies at XXX locations. I have received YYY positive reviews, and XX emails and letters from readers who enjoyed the book…”  and no, I haven’t yet attracted a publisher or agent, but I have sold over 1500 copies of my book, Just A Couple Of Chickens, so far – and going strong.

I think, one day soon, traditional publishing and self publishing will both be processes authors use. I’m starting now, despite the gap that does currently exist between the two publishing camps. My advanced draft of my grandfather’s biography, which was working titled “CJT, A Biography” and is now working titled “When No-One Else Would Fly, The Life of Col. Cloyce Joseph Tippett, USAFR, Ret.” is now in the submission process (I’ve compiled a list of publishers who accept direct proposals from authors as well as genre-specific agents) and may be self published in 2013 (or 2012) depending on the results of both my submissions and my advance marketing work.

Stay tuned to find out how it goes!  You can also sign up here to get an email when the book is ready for purchase.

Actually, the funnest part of the whole process is researching the “competitive” titles that are similar to my aviation history biography of Col. C. J. Tippett. I don’t think of them as competition, I think of them as reading material!

 

Interview With The Author

Me, Myself, and I are taking advantage of our opportunity to interview the author of “Just A Couple Of Chickens,” a book we wrote and self published. We’re not sure who that fourth duckling is…

The Westchester Press is pleased to present this exclusive opportunity to interview the author of “Just A Couple Of Chickens,” a funny and informative book about chickenistic and economic adventures that has sold over 1,500 copies so far and counting.

The author, Corinne Tippett, is here with us today – mainly because this is her blog and she is writing it. But enough about us, let’s get to the questions!

The Westchester Press: Thank you for being here with us today, Corinne. How is your book doing now that it has been out for almost two years?

The Author: You’re welcome! Thank you for the opportunity to talk about my book. It’s still selling pretty well, which is great for me and my publisher – I mean, for you, but one contributing factor is that the book talks about economic struggle and hardship, and I really thought it would be out-dated by now. But the theme is still current and all of us would like to see that change. Economic change.

The Westchester Press: We hear you there! High five on that one. Are you really working on a sequel? What’s taking so long on that?

The Author: Okay, so high five from self publisher to author is kind of more like clapping, don’t you think? And yes I really am working on a sequel and it takes as long as it takes, okay? For one thing, I had to finish my grandfather’s aviation history biography which I was supposed to write first but I did the chicken book instead, and for another thing, I really want a happy ending of total economic healing and it’s taking the whole country a while to get that going.

The Westchester Press: A new book?  An aviation biography? Who is publishing that? Are we publishing that?

The Author: At this time, I am in the process of submitting my grandfather’s aviation biography to a traditional agent or traditional publisher. Because I think it’s a project that may be well suited for traditional publishing, and I’d welcome the team approach to producing it. But if that doesn’t come through, then I will certainly self publish, and you’ll be my first choice.

The Westchester Press: But you ARE a self publisher!  You ARE The Westchester Press!  How can you do this to us?

The Author:  I don’t believe that self publishing and traditional publishing have to exclude each other. And once I self publish a project, I will continue to submit it to traditional publishers along with a sales count… and we’ll see what happens.

The Westchester Press: We need a minute, sorry for the delay. We’re looking up the word “fidelity” in the dictionary.

The Author: This seems to be going just as well as our quarterly company meetings. There’s no “i” in team, people. Okay, now you aren’t talking to me. So, now I’m not talking to myself? Isn’t that a good thing? arrite. Two can play at that game. I mean, one can…

okay.
fine.

 

 

 

Copyright 2012 Corinne Tippett & The Westchester Press
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