Tag Archive: about writing


Self Publishing Steps: 3 Ways to Write It… !

Self Publishing Advice Butterflies

The Three Butterflies of Writing Advice

As I build my series on Step by Step Self Publishing, I keep trying to start at the beginning… with Write The Book… but current life and topics keep popping up.
Because this is blogging.
It’s more spontaneous, closer to live action, more like real life.
Not disorganized. No way!

For authors, publishing starts after we think we are finished.
So for authors, self publishing advice includes the topic of writing the book. And my advice for authors considering self publishing is to write another book and publish it as well. Don’t stop with just one book – use the time, effort, and self education to put out more books! But first, we have to write it.

Out of the millions of ways to write a book, I can think of three:

1)            Do something and write about it

2)            
Find someone who did something and write about them

3)            Make something up completely from scratch and write about it

I started with number one. I did something, and I wrote about it…  my memoir about raising poultry and a family in hard times, titled  “Just a Couple of Chickens”

Now I’m almost finished with my second book, using approach number 2. I’ve found someone who did something, and I’m writing about him. My grandfather, Col. C. J. Tippett, did several very interesting things in aviation history as well as being a fascinating person in an extraordinary time.

Number 3 seems the hardest. To make something up completely from scratch and write about it. I do have my secret manuscript just like every other writer, my blockbuster sci-fi space opera, bodice-ripper… (space-suit ripper?) but in the meantime, I’m going back to methods 1 and 2 and writing sequels to my first two books.

Because if Write It is the first step in self publishing, then Write a Sequel and Do It All Over Again is the last… that’s just good publishing advice.

What’s Going To Happen To Readers If Just Any Author Can Self Publish A Book?

What if there are too many self published books in the world?

Will the flock of self published books overwhelm readers or enrich our world? So many books, so little time…!

This is one of the biggest questions at the heart of the emotional furor against self publishing , regarding the publishing changes going on today. Bridget Kinsella frames it perfectly in her article in Stanford University’s alumni magazine, dated November / December 2010. Her question, and the discussion, continues to rage today, almost two years after the article’s publication.

Bridget asks, “If the traditionally high barriers to publication fall, will that produce a world of unimagined richness or one mired in dross?”

She first points out that one of the advantages of the changes is that books are available everywhere, and in a bewildering array of formats. Practically any book is available to anyone with an Internet connection… even out of print books because of the stashes in old bookstores made available.

But the disadvantage comes back to the issue of quality, not just of the books, but also of the reviewers. If any author can produce a book and any blogger can review it, how can a reader find a good one?

Bridget’s article goes on to pursue the issues of the business as a whole, with valuable interviews with key people in the big agencies… but my focus is the question she posed.
Will readers be enriched or mired in dross?

Because I believe this is the key issue behind the “stigma” of self-publishing and the root of the negative emotion behind so many of the traditional versus self publishing arguments. A real fear that the availability of publishing technology and distribution channels will flood readers with so much garbage that the good books will drown.

It’s not a frivolous concern on the part of traditional publishing. There are many, many, badly-written poorly-produced self-published books, and I’m just as mad as anybody else when I spend my money on one. As mad as I get when I spend my money on a bad one produced by a well-known traditional publisher.

But it is, and always has been, buyer beware.

  • I buy books from my favorite authors because of the previous books they’ve written.
  • I buy on the recommendation of friends and family with similar reading tastes.
  • I buy based on reviews that are specific about the story and its pros and cons.
  • I buy based on the back matter, the cover, the genre, and the table of contents.
  • I buy based on Amazon.com reviews, which are written by normal people. And I read every review when I’m getting ready to buy, especially the lower rated ones.

Nowhere in this list of things that drive me to buy a book is whether it is traditionally published or self published.
It simply does not matter to me… those other elements have to be in place before I will buy.

So a self published author has to do all those things same as a traditional publisher does, and has to do them well. And this is what will separate the dross from the riches, when it comes to actually selling books.

But there’s another element to the issue, and that’s outside of what is actually selling. So many self published books don’t sell very many copies. But they still exist, and the ideas contained in them, and the point of view of their authors, is an unbelievable gold mine of human thought and creativity.

In my opinion, it’s the best thing to happen to human thought since the Stone Age. Well written or not, it’s irreplaceable, invaluable, and inestimably precious.

But I still don’t want to buy a bad one, so I’ll stick to the way I buy books, and let the best book win.

 

My Comparison Between the Chicago Manual of Style Online Or Hardcopy

Self Publishing Winter View

This is the winter version of my favorite view from our New Mexico property. Because I am entering edits, and that is a cold, gray, vista of gray coldness.

This week, the “Self” in Self Publishing is pissing me off.

Because this week, I am entering the edits to my book about my grandfather’s aviation pioneering history which will not be titled “CJT, A Biography” due to the unanimous thumbs down from my editors.

Not that it was the title. It was a working title. I’m still working on a title.

This week I am crawling through my book, page by page, carefully capturing all the fixes that my editors have provided.
My editors are very very good, and don’t miss a thing.
But I am apparently utterly unable to properly capitalize or numerate or subject/verb match or punctuate.

I imagine that if I had a book deal with a traditional publisher that some intern would do this for me.
I suspect that I’d still be doing it myself… but in the meantime, let me dream.

I had a job doing this kind of work twenty years ago. I quit that job.

I got tired of searching manually for the proper capitalization of the word “embassy” in my copy of The Chicago Manual of Style.
I wondered how much easier it would be to search for it on the online version.

I’d already dissed the online version in favor of the hardcover version glaring at me on my desk.
So I went online and discovered…that they had a one time 30 day free trial of the online version…

Sign Me Up!

And, and, and …. I typed in my question and got…
The same reference as I get in the hardcover version.

The table of contents.
An invitation to click crawl, rather than page crawl, the chapter on capitalization.
The same note about Chicago’s “down style” as I had sitting on my desk.

Where’s my intern?
Now the all the words in “self publishing” are pissing me off.

I searched further and I did find one benefit of the online Chicago Manual of Style.
The forum.
This is where other terminally frustrated writers and editors have posted their questions and either other people or the Editorial Priesthood of The Manual have answered, and that was really quite helpful because I did pick up a side comment to a tangent to a reference to another question that finally mentioned….

American Embassy (capitalized) or people from the embassy (not capitalized)

So, before I go back to my book and uncapitalize every instance of lieutenant colonel, except for those that should be capitalized… which means that I can’t just do a find and replace… let me summarize my comparison between the hardcover printed copy of The Chicago Manual of Style and the online version:

  1. They both contain the same nit picky, wickedly-confusing, non-obvious, trip wires of English usage rules organized in the same way
  2. Keyword searches really only bring you to suggestions for the right chapter, unless you luck out in the forum
  3. The forum is worth a lot
  4. But clicking through the chapter submenus using the forward button is a lot slower than running your finger down the printed page, because the website page refresh (on my computer) is slow
  5. The hardcover book is a pay once, page crawl forever, situation. Online is a pay yearly, click forever, version

My conclusion is:

Get an intern, give her the hardcopy book, and make HER enter the edits.

 

Another way to Write The Book

 

Black and White Self Publishing Advice

Randy Ingermanson’s Snowflake Method makes writing light as a feather. Or at least lays it out in black and white.

Writing the book, and writing the next book, can so easily get lost in the process of self publishing. I am constantly trying to stay current in the writing world, and one piece of advice I gleaned from a teaching author was to continue to study my craft. Keep learning about writing. So I joined Willamette Writers and was delighted to listen to Randy Ingermanson at one of the Willamette Writers meetings in 2011.

Randy Ingermanson wrote Writing Fiction for Dummies, among other books, and he was talking about his patented Snowflake Method. I’d never heard of the Snowflake Method before and it hit me ‘tween the eyes like a well-received plank of brilliant break-through. I’d just rolled up my sleeves and resurrected the Outline…  effective, yet somewhat grueling.

Randy’s Snowflake Method is better. It’s a way of approaching story design, planning, forethought – working it out true to the rules of storytelling (beginning middle end, characters who live and breathe, scenes that make sense) while at the same time accomplishing the things that a book must have (one sentence summary, one paragraph summary, a plan…) and it’s a step by step, encouraging, hand-holding method.

He made some software and I bought it and I’m using it. Plus Randy’s website is fun to navigate and FULL of resources.

I made my publisher pay for the software and the Willamette Writer dues.
Which was pretty satisfying until I remembered that my publisher was me.

 

Cloyce Joseph Tippett Wendelins Basketball Team

Maybe somewhere in the photos lurks inspiration for the title. Like… why isn’t my grandfather dressed out? “The Aviator Who Didn’t Dress Out…” hmmmm

As a self publisher, I have the delightful burden of choosing a title for my book.

If I had a book deal with a traditional publisher, this would probably be out of my hands, and also out of my control. Usually, the idea that such an important issue for my book would be out of my control makes me glad to be a self publisher. But not this time. Choosing a title for a book can be a hard slog.

The title for my first book, Just a Couple of Chickens, came easily. It was a family catch phrase during the whole time we were struggling with over 101 infant poultry that arrived from my online catalog order.

“I thought you said you’d ordered just a couple of chickens,” my husband kept saying.

The sequel to that book, which is currently underway, has also come easily.

“Just a couple more?” asked Andrew. “Just a couple more what? Not chickens, right?”

But for my grandfather’s aviation history biography, I’m stumped. It’s got a working title of “CJT, A Biography” because my grandfather is Cloyce Joseph Tippett and it’s a biography. Riveting start. He was such a pioneer in the history of aviation, I must be able to do better than that.

I’ve compiled a list of book title building tips from my research here-there-and-everywhere, and I’ll post again once I’ve successfully found out how to choose a title for my book.

 Here is what the experts suggest to help me choose a title for my book, and I’m going to try each approach:

  •  Write down everything I can think of and everything everyone suggests
  •  Search the genre in amazon and see what other titles there are for other similar books
  •  Sum up my book in one sentence. Write several of these sentences.
  •  Choose a detail of the book and name the book after that detail.
  •  Check out Google keywords on the topic and zero in on the best keywords
  •  Make a list of nouns and verbs that reflect the book topic, then cut them up and line them up in different combinations
  •  Have a 92 character limit, so that it’ll fit in the  Books In Print catalog
  •  List my chapter titles, maybe the title is lurking there
  • Read the book and write down any sentences or paragraphs that capture your title imagination
  •  Sleep on it. Literally, have the title list under my pillow and sleep on it.

(That last tip suits me best. If there’s something I’m good at, it’s sleeping!)  I’ll keep you posted!

 

What is Short Run Printing?

Self Publishing Advice Duckling

What is Short Run Printing? What? What IS it?

Short Run Printing is a small (short) order of printed hard copy books (usually paperback, but could refer to hard cover) produced by a professional printing company. Short run printing is important to self publishers because it is the main way we can get a physical inventory of our books to sell at a profit. Traditional publishers usually order big numbers of books at a time, more than 5,000, and that’s how they get the books for a low enough price to be able to make a profit selling them in bookstores or anywhere else.

Before Print On Demand came around, small presses had to rely on short run printing to bring a book to market.  Now most self publishers can get a very good start with print on demand – having very small stocks of books on hand. But with enough sales volume, self publishers quickly look to short run printing to provide more inventory at a price that makes room for profitable sales.

As the self publisher, you write and create and design the book and have a final file of book interior and cover ready, then you work with a book printer to produce anywhere from 500 to 5,000 books. Some printers won’t do less than 1000. The cost per book goes down when the print order goes up. More and more traditional book printers are willing to do short runs in our current economy, when before it was not worth their time to work with the smaller orders and less experienced publishers.

We used Worzalla for the second short run printing of “Just A Couple Of Chickens” and were VERY pleased. And they did have to take more time to work with us, since we were less experienced as publishers. They were very patient… (…headsup the proof is called a blueline and it comes to you uncut and if you find a typo that late in the process it’s going to take a couple of hundred dollars to fix…)

I deeply believe in buying American, so I didn’t even consider a printer in China. With rising gas prices worldwide and rising basic wages in China, that competition is beginning to change – but regardless, I believe it is important to our economy to do our business here.

And that is Short Run Printing!

 

Memoir versus Biography and Writing “Just A Couple Of Chickens”

Just a couple of rose comb chickens

Just A Couple of Chickens is about the work that went into creating www.TheFeatheredEgg.com.

When I wrote “Just A Couple of Chickens” about raising poultry and a family, I wasn’t thinking about genre and whether it was a memoir, or an autobiography.

If I was thinking anything, it was that this was a how-NOT-to book on chicken raising. It was only when the “raising poultry and a family in hard times” part began that I realized that it might be one of those genres. But I didn’t really understand the difference. And based on the number of arguments in writing forums, writing groups, writing classes, at writing workshops, and on writing panels, I am not the only confused person.

Memoir is fantastically popular right now. Biography is less popular, but still a steady page-turner. But if biography is the story of person’s life – and expected to be more than just the chronological facts… and if autobiography is the story of a person’s life told by the person… then what is memoir?

Memoir is the personal memory, and self interpreted impact or meaning, of a person’s own life. The definition is contained in the word, memoir. It’s about our memories, and how we feel about what we’ve remembered. Memoirs used to be about what the author remembered about other people’s lives, but now it is almost exclusively what the authors remember about their own lives – plus how they feel about those memories.

Complicating the whole issue is the modern audience’s lurking potential for harsh critique should the memoir be revealed to contain inaccuracies. Lies. Fabrications. But since memories are notoriously fallible, that makes it complicated. I understand the upset when a memoir turns out to have been falsified. I don’t share the upset when a memoir has minor inaccuracies. Not that I had either of those problems with my chicken raising memoir. I remembered, and wrote, it in all its accurate and glorious homeliness.

Today’s memoir demands a greater revelation of the meaning and emotion carried by the memories. This is the most consistent comment I’ve had from readers over “Just a Couple of Chickens”… that they want to hear more about what I felt about what I was doing. And what I’m doing now… which is writing a sequel, in which I have the challenge to share how I feel about what I’m doing now…

But I’m not supposed to swear… hmmmm, challenging.

 

Copyright 2012 Corinne Tippett & The Westchester Press
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