Red Heat Lamp Warning – Teflon Coating Is Toxic to Chicks

Silver Laced Polish in Just A Couple Of Chickens

Silver Laced Polish Chickens enjoy heat lamps in the winter… and I learned to hang them high enough to clear their head feathers! But now I have to watchit for teflon-coated heat lamps as well!

I used red heat lamps extensively both when I was brooding my 100 poultry chicks, and each winter of their lives, to keep them comfortable.

Other than the Polish Chickens burning their head feathers on the hot bulb, I had no problem… but that was more than two years ago and there’s a new technology out there resulting in red heat lamps that are coated with teflon.

And teflon is extremely toxic to birds when heated… teflon fumes = dead chicks. The teflon makes the bulbs shatterproof, and these bulbs are intended for food warming, but this new development makes it important that backyard poultry farmers be very careful when choosing the right heat lamp bulb.

In another new technology development, there are energy efficient, ceramic heat lamps available that don’t put out any light… and have no teflon threat, and Rocio Crespo, DVM, MS, DVSc, Dip ACPV suggests that we use them for our brooders and not risk the red heat lamps.

Dr. Crespo presented a talk to the Pacific Northwest Poultry Association (PNPA) in November this year, and I was very happy to be able to hear her speak. For one thing, I totally would have used heat lamps for my birds – and potentially gassed them all to death, and for another thing, she had many other valuable pieces of information. I learned a huge amount!

Rocio Crespo is the Branch Director, Associate Professor at the Avian Health and Food Safety Laboratory at the Washington State University College of Veterinary Medicine, in Puyallup, WA. Her knowledge of chicken keeping, and her availability as a knowledge resource is amazing. People contact her with chicken health mysteries they cannot solve, and this is how she learned of the teflon danger. An entire brooder of new chicks expired one night, and Dr. Crespo narrowed down the clues until a light bulb moment appeared overhead. A red teflon light bulb.

I had kept my chicks in constant light, thinking that was better for them, and for me (checking on them in the night), but the lightless heat of the creamic bulb gives the chicks a chance to learn the cycles of day and night, which Dr. Crespo says is better.

SO!  good to know… no more red bulbs for me for poultry. And no more overheating my teflon frying pans… if it isn’t good for chickens it probably isn’t good for children. (Oops.)

Thank you Dr. Crespo and the PNPA!

 

Crossing The Self Publishing Finish Line – In Style? Or At All?

Self Publishing A Book Is Not Like Secretariat At ALL

Self publishing a book is not at all like Secretariat winning the triple crown.

In the business of Do It Your Self publishing, which is different from the business of self publishing only in the way that you Do It Yourself,
The prize is in finishing – at all – not so much in finishing with style.

This process of self publishing a book is difficult or expensive. If we want to get help in producing a book, then we have to be able to pay. If we don’t want to pay, or don’t have the funds, then we have to do it ourselves… and while it is do-able, it isn’t always easy. It can be time consuming, sometimes confusing, and a lot of work.

So I’m sharing one of my personal standards, in case it helps… on those late evenings when the to do list is just too long, and the month’s sales tally is just too short.

Once upon a time, there were two racehorses.

One was an equine prince, by anyone’s standard. His name was Secretariat, and he was perfect. Perfect proportions, perfect coat, perfect stride. In 1973, he won the Triple Crown, and was awarded Horse Of The Year. Secretariat was glamorous and made winning look effortless. I do not relate well to Secretariat, much as I admire him.

The other racehorse was Seabiscuit. He was not perfect, and he did not win the triple crown. But he was voted Horse Of The Year in 1938 because he won just about everything else. He was not a beauty, and his racing style was not glamorous. The only reason racing fans weren’t wincing when he crossed the finish line is because he was crossing it first.  He was known for his hard work and his fierce racing spirit. He never gave up.

And so my self publishing advice today is that it doesn’t matter if you finish your checklist in style and surrounded by cheering fans.
It is only important that you finish it.

Any way you can, my seabiscuits.

 

 

 

Col. C. J. Tippett and The Cabo Blanco Fishing Club Tournament in 1958

The Cabo Blanco Fishing Club and Col. C. J. Tippett

That is Col. Cloyce Joseph Tippett on the right, shaking hands with Alfred C. Glassell, Jr at the Cabo Blanco Fishing Club in Peru… on April 20th, 1958. Oh, and the fish are… really big.

On April 20th, 1958, the Cabo Blanco Fishing Club hosted their First Annual North American Big Four Match at their clubhouse in Peru.
Peru is in South America, but the Big Four were North American fishing teams, and this was the first tournament, so maybe they were still working on the event title.

The tournament was a big game fishing event, and the fishing  (blue-fin tuna and black marlin, in this case) was extraordinary and made history, as did the members of the club.

There were teams representing the Atlantic Coast, the Gulf Coast, the Pacific Coast, and The Club, comprised both of members and guests, many of whom were big names in sportfishing history.

The Club team consisted of Colonel Cloyce Joseph Tippett, Alfred C. Glassell, Jr., and S. Kip Farrington, Jr.

And they won!
Their two catches, one 270 pound blue-fin tuna, and one 398 pound black marlin, won the big cup that day.

Tip is the tall guy on the right in the photo, shaking hands with Alfred C. Glassell, who is also tall. The other teams are in the background along with the fish.

Tip wrote about his time with the Club at Cabo Blanco and the book is getting closer to being ready… please sign up if you want to be notified when it comes out.

At the same time that Tip and the team won the tournament, another kind of “fishing” had started, but this time, Tip was the intended catch, and the angler was… a woman!

 

 

 

My Review Of…. “A Closer Look At Button Quail” by Jodi McDonald

Jodi McDonald supplied the Button Quail for Just a Couple of Chickens

My Button Quail came from Jodi McDonald who has written “A Closer Look At Button Quail” which is the best Button Quail book out there!

Jodi McDonald was the quail breeder in my book whom I called when I needed a girl quail to go with my boy quail, which I bought thinking he was a girl quail who would lay lots of quail eggs… and she was the person who taught me all the things I should have known before I got any quail.

She breeds, raises, and sells Button Quail from her Bracken Ridge Ranch in California.

A couple of years ago, Jodi came out with her book about Button Quail, and it is the absolute resource for everything there is to know about this little bird. It’s the best button quail book I’ve ever read!

The Button Quail is a borderline pet in the US today, but it is also a true quail and needs all the things that poultry need, and a few things more.

Jodi builds and sells a cage specifically designed for Button Quail success. It copes with their bonking issues, their escape plans, and their egg laying production. I tried to handle all of those quail-isms myself and in addition to Jodi’s book, I’d use Jodi’s cages next time.

Button Quail eggs are the size of a penny, and so delightful. They are in great demand in egg art. Button Quail chicks are literally the size of bumblebees – so cute, so tiny. My quail hens, which were Jodi’s quail hens until I bought them and she shipped them to me in perfect health and comfort, laid so many eggs that I am still selling them on www.TheFeatheredEgg.com.

If it’s about Button Quail, which, as Jodi says, is actually the Chinese Blue Breasted Quail, then Jodi is the one to ask.

Quail Queen… Jodi rocks.

 

What is an ISBN? (International Standard Book Number)

Self Publishing Butterflies Buy Their Own ISBNs

The butterfly (representing a free ISBN from a self publishing company) is not the focus of the effort… it is the leaf supporting the butterfly (which represents your own self publishing company). Own your own ISBN, so it doesn’t matter where your butter flies.

The ISBN, the International Standard Book Number, is of particular concern to a publisher… and is generally confusing for an author.

But it is THE definition of a Do It Your Self publisher.

Owning the ISBN is the difference between being a self publisher who is a publisher and being an author who has engaged self publishing services. My self publishing advice is that you should own your ISBN and get a business license for your self publishing company. It’s worth the effort, which isn’t a huge effort, and worth the cost, which is a large-ish up front cost for the pack of 10 numbers, but comes out to about $30 per book.

The ISBN is a 13 digit number used to identify both the book and the publisher. Many self publishing service providers offer to assign one for free to your book project, and that will mean that their publishing company will come up under the listing for your book title until you re-publish with another number or another company. With all the marketing effort I put into my books, I prefer to own my own ISBN and therefore have the number follow my title no matter where or how I print it and offer it for sale.

The ISBN is not the same as the barcode. You can buy the barcode when you buy the ISBN, but you don’t have to. There are ways to make the barcode later, and if you don’t ever produce a short print run outside of the print-on-demand service, you won’t ever need it. When I publish through CreateSpace, I provide my own ISBN, and they use it to generate my barcode automatically.

ISBNs used to be 10 digit numbers, but then the earth’s population exploded with book-reading mammals and ISBNs needed to expand to 13 digits. There’s a converter for the 10 digit numbers to get them to conform to modern standards… you don’t just assign zeros to one end.

ISBNs are unique to a particular edition of a book. You can correct typos without using a new ISBN, but you can’t change content. An ebook, even if it is identical to the print book, will have a different ISBN.

By using my own ISBN number, I can do a print run outside of CreateSpace and keep the same ISBN number (and I also have to keep the same trim size and page count). If I accept the free number from CreateSpace… or any of the other companies that offer it, then I am not supposed to use that number as I produce the book in any other way. I retain all my options by using my own number.

The ISBNs are available online from only one company. While I can buy one, I prefer to buy the pack of 10 because I know I will use them, and they will be mine… all mine…. Bwahahahaha!

 

 

Col. C. J. Tippett flew the C-47 Skytrain

Col. C. J. Tippett trained pilots to fly the Douglas C-47 Skytrain over the Himalayan Mountain route in 1942. The pilots were Flying The Hump.

World War II pushed aviation pioneering hard.

Safety did not come first, because people were already dying on the front lines, and beyond.

War changed the rules, and aviation history is full of flights that today, would be considered recklessly irresponsible. But the flights were unimaginably heroic.

The Hump was a name that WWII pilots used for the Himalayan Mountains, and flying it in 1942 without adequate navigation, information, weather reports, and technical support was an aviation nightmare.

But American pilots, in conjunction with other Allied pilots, flew it every day for almost three years at President Roosevelt’s request.

The US had been sending American pilots and aircraft to China to fight the Japanese invasion for years on an unofficial basis. The Flying Tigers had been mercenaries, flying combat air missions against the Japanese over the Chinese mainland, until the US joined WWII and Roosevelt was able to officially recognize their efforts.

America was directly fighting the Japanese in the Pacific and supporting Chiang Kai-shek’s battle in China.

By 1942, Japan had blocked the Burma Road in addition to coastal China, and the only way to get supplies to the Chinese forces was to fly them in, over an air route that is, even today, considered extremely dangerous.

The civil aviation infrastructure was called on to provide pilots with the skill to fly this route, and the newly-formed Civil Aeronautics Administration Standardization Center in Houston, Texas, was a natural source for training.

Cloyce Joseph Tippett, then a First Lieutenant in the Air Corps Reserve, was the Senior Advanced Flight Instructor at the Houston Standardization Center, and he also had plenty of flight time in the Douglas C-47 Skytrain, the aircraft assigned to the effort.

Tip trained pilots specifically for the conditions they would encounter on the route, and certified them for mulit-engine flying in the C-47.

Tip had been flying a CAA owned DC-3 for years and he was already known for his commitment to flight safety. Tip believed that preparation and training were the key. If the risk had to be taken, then the pilots had to be certified in instrument flying, multi-engine flight, and every kind of navigation possible. So he got to work.

The C-47 Skytrain was a version of the Douglas DC-3, the most reliable aircraft of the age. The C-47 had a reinforced floor and cargo door, making it more suitable for supply runs. But even so, the altitudes that pilots had to fly to get through and over the Himalayan Mountains were pushing the C-47’s design limits.

Additionally, the aircraft were often overloaded at take-off, and unpredictable weather forced pilots to push fuel ranges to skip flooded landing strips.

The crash rate was heartbreakingly high, but the pilots continued to fly the route, and the C-47 Skytrain performed admirably until finally replaced by larger, more suited aircraft.

In today’s aviation world of GPS navigation, constant radio communication, and multi-layered safety protocols, the conditions that routinely faced pilots flying the Hump were astounding… and unacceptable.

But not only did the pilots, crew, and support staff of the 1940s accept the conditions, they met the challenge and paid the price.

Some of the most courageous aviation pioneering took place there, and their stories are riveting. Tip was proud of the pilots he met and trained, and considered them his personal heroes.

 

 

The Difference Between Raising Chickens And Writing About Raising Chickens

Just A Couple Of Chickens Is About Raising Chckens

Self publishing a book about raising chickens is turning out to be a lot like writing a book about raising chickens!

I raised over 100 poultry chicks and I wrote two books. One was about raising over 100 poultry chicks.

And I’m writing about how to self publish a book… and I’ve noticed a very big difference between raising chickens and writing about raising chickens.

When I fussed about the brooder temperature for the chicks, they grew…
And when I changed their feed and water, they grew…
And when I went in and out of their pen, they grew….

They grew no matter what I did. And if I had left the roosters to their own devices, they would have also multiplied.

But when I was writing the book, every time I stopped typing, the book stopped progressing.
And even if I left it under a warm lamp, with plenty of food and water, it still didn’t grow.
Every time I turned my back on the chickens, they grew, but despite turning my back frequently to my book, it didn’t grow…

Unless I wrote another word, and another, and about… 100,000 more.

Then I went and self published my book, and once again, nothing grew unless I made it grow. There was some independent progress, as word of mouth drove book sales, but mostly, it was like writing it.

One bright side of all this work is control. I can choose when to write, where to publish, and what things look like. Some of my poultry grew surprisingly out of control, either in size or behavior. And I never knew what they were going to do next… whereas my book rarely surprised me with plot turns or out-of-control sales.

But maybe one day, there will be a writing project that grows when my back is turned. It has happened to self published projects before, and it is happening more and more each day.

So maybe the difference between raising chickens and writing about raising chickens is similar to the difference between nature’s creation and literary creation… that’s kind of deep!

 

Copyright 2012 Corinne Tippett & The Westchester Press
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