Category: Blogs @ How to Self Publish


Interview With The Author

Me, Myself, and I are taking advantage of our opportunity to interview the author of “Just A Couple Of Chickens,” a book we wrote and self published. We’re not sure who that fourth duckling is…

The Westchester Press is pleased to present this exclusive opportunity to interview the author of “Just A Couple Of Chickens,” a funny and informative book about chickenistic and economic adventures that has sold over 1,500 copies so far and counting.

The author, Corinne Tippett, is here with us today – mainly because this is her blog and she is writing it. But enough about us, let’s get to the questions!

The Westchester Press: Thank you for being here with us today, Corinne. How is your book doing now that it has been out for almost two years?

The Author: You’re welcome! Thank you for the opportunity to talk about my book. It’s still selling pretty well, which is great for me and my publisher – I mean, for you, but one contributing factor is that the book talks about economic struggle and hardship, and I really thought it would be out-dated by now. But the theme is still current and all of us would like to see that change. Economic change.

The Westchester Press: We hear you there! High five on that one. Are you really working on a sequel? What’s taking so long on that?

The Author: Okay, so high five from self publisher to author is kind of more like clapping, don’t you think? And yes I really am working on a sequel and it takes as long as it takes, okay? For one thing, I had to finish my grandfather’s aviation history biography which I was supposed to write first but I did the chicken book instead, and for another thing, I really want a happy ending of total economic healing and it’s taking the whole country a while to get that going.

The Westchester Press: A new book?  An aviation biography? Who is publishing that? Are we publishing that?

The Author: At this time, I am in the process of submitting my grandfather’s aviation biography to a traditional agent or traditional publisher. Because I think it’s a project that may be well suited for traditional publishing, and I’d welcome the team approach to producing it. But if that doesn’t come through, then I will certainly self publish, and you’ll be my first choice.

The Westchester Press: But you ARE a self publisher!  You ARE The Westchester Press!  How can you do this to us?

The Author:  I don’t believe that self publishing and traditional publishing have to exclude each other. And once I self publish a project, I will continue to submit it to traditional publishers along with a sales count… and we’ll see what happens.

The Westchester Press: We need a minute, sorry for the delay. We’re looking up the word “fidelity” in the dictionary.

The Author: This seems to be going just as well as our quarterly company meetings. There’s no “i” in team, people. Okay, now you aren’t talking to me. So, now I’m not talking to myself? Isn’t that a good thing? arrite. Two can play at that game. I mean, one can…

okay.
fine.

 

 

 

Should I Register My Copyright On My Book?

Sometime after writers stopped using quills as ink pens, our copyright laws came into being. The law assigns copyright when a work is created – you don’t have to register. But it’s a good idea, especially since today’s quill is a computer and the paper is online.

Copyright on a creative work exists as soon as the work is put to paper. The author doesn’t have to formally register the work with the US Copyright office, but it’s a good idea to do it before self publishing a book, or submitting for traditional publication.

An author does have to register the copyright before claiming a case of copyright infringement, and having registered the work long before there is any question of infringement can help your case.

I see it as a professional approach to my creative work, a finishing touch.

The creative work does not have to be published before registration, and in fact, due to recent changes by the US Copyright Office, if the work is unpublished, it can be uploaded electronically for the registration process – which is a change from having to mail a hard copy. (Mailing a hard copy is part of the Library of Congress Control Number process, which happens after the work is published – including self published…)

I recently went through the copyright process with the finished draft of my grandfather’s aviation history biography, and I have some tips.

  • Prepare an electronic copy of the manuscript that is smaller than 11.3 MB, because that is the single file upload limit and a full length manuscript is almost certainly bigger than that. Make a compressed PDF or split the document into several files… the upload process does allow one project in multiple files (up to six). So getting that ready in advance will help.
  • Choose a time when you can do the whole process in one session, so that you don’t risk stopping part way. It will take about an hour, depending on the copyright office’s online response time.
  • It will cost $35, (as of 2012) payable online at the time of registration, so having a credit or debit card ready is a good idea.
  • At www.copyright.gov, you first establish a profile and choose a user name and password. You’ll use this same profile for every work you register for copyright.
  • The first step isn’t very obvious, despite the care given to try and make the process more streamlined. It’s called Register A New Claim… and from there, you go step by step.

You will have to click a confirmation button at the very end of the process, and it isn’t complete until you do, so don’t leave the process until you’ve clicked that button. It’s not a very obvious button… the Staples Easy Button is a better design, but you’ll find it.

It’s not required to register – copyright is yours once you create a work – but it’s a good idea to do it when you’ve finished your book, before you self publish, or before you submit your book for publication. Add a copy of your work to our Library of Congress!

 

What is ICAO? (International Civil Aviation Organization!)

Col. C. J. Tippett and the International Civil Aviation Organization

Col. C. J. Tippett typed up reams of reports on this letterhead from 1948 to 1960. The International Civil Aviation Organization’s logo was based on founding parent, the United Nations. It’s a map of the world circled by two olive branches, to represent global peace, with wings, to represent aviation, and initials intended to represent the languages of the first ICAO convention. After 1960, Cyrillic and Chinese letters were added, but Tip’s tenure was before that much world peace had been accomplished.

My grandfather, Col. C. J. Tippett, was the Director of the South American Office of the International Civil Aviation Organization from 1948 to 1960… but what is ICAO? 

One of the many historically significant things that happened after two atomic bombs ended the Pacific part of World War II was the formation of the United Nations. Two wars had involved enough nations to be named “world wars” and many people felt it was time for some kind of “world government.”  Or at least oversight.

One of the first concerns of the United Nations was regulating nuclear science, since it clearly had already been weaponized. Their next concern was aviation, since the atomic weapons had been dropped from an airplane. Military aviation was not on the UN table, every victorious post-war country made that very clear, but civil aviation was under discussion.

The ready availability of war surplus aircraft was making it possible for almost every country with an organized government to stock up and form commercial airline companies, which were starting to fly all over the world…
And into each other.

So on April 4, 1947, the United Nations formed the International Civil Aviation Organization (ICAO) to “promote the safe and orderly development of international civil aviation throughout the world.”

The organization was headquartered in Montreal, Canada, but all of the plans would be implemented through four regional offices. There would be an office in Paris, Bangkok, Cairo, and Lima. Each office would have a director, and this is where Colonel C. J. Tippett came in.

The Director of the South American office, in Lima, Peru would be responsible for civil aviation policy in Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Panama, Paraguay, Peru, Uruguay, Venezuela, British and French Guyana, and Surinam.

The United States was only a member nation of the UN, and not officially in a leadership role. But when it came to influencing South America, there was powerful concern in North America, and the US State Department knew exactly who they wanted in charge of the Lima office.

Tip had already been working extensively in Argentina and Brazil. He was well known, and well liked, by many highly-placed people in South American governments, and had ties to so many Washington offices that it was hard to figure out which one was in charge of him on any given assignment. Tip was the only American offered an ICAO directorship, and the rest is history… described in his own words, and in mine, in the book.

He met fascinating people and did amazing things – too many to tell here, but one of his most significant early accomplishments was establishing English as the language of air navigation and communication throughout his region, even before it was adopted as the worldwide official language of civil aviation.

Safety was Tip’s top priority throughout his aviation life, and in his experience, there was no time to reach for a dictionary for a translation of… “Clear the runway, I’m coming in hot!”

The Past and Future of A Blog, www.TheFreeRooster.com

The Free Rooster is alive and well

My blog at www.TheFreeRooster.com is alive and well, hosted on Blogger.com and headed for a blook adventure!

Back in 2009, when I realized that I was learning how to self publish a book, I followed the advice of every resource I could find, and started a blog to promote my book.

The book was “Just a Couple of Chickens” and the blog was www.TheFreeRooster.com.

I blogged about raising chickens, urban chickens, rural chickens, things that ate rural chickens, economic disaster recovery strategies, and writing a book.

I also experimented with every gadget Blogger.com had to offer, and it went pretty well.

But I grew out of Blogger… I needed to do more than it would let me do for free. I discovered wordpress and self hosting, which required a lot of learning by doing, but in the end allowed me to do what I needed to do for the least possible price.

I created a new blog to support both my first book and my current book, the soon-to-be-available-now-in-traditional-publishing-submission biography of my grandfather, Col. C. J. Tippett…. and to squawk on about self publishing.

So where will www.TheFreeRooster.com go now? What will happen to it?

I have big plans for it… the first of which is to turn it into a blook, to preserve all the still useful information it contains. And then I plan to do big fun things with it starting fresh. Fun fresh things that are big.

In the meantime, it remains a live site with lots of gadgets down the side and an archive of useful information… Blogger is a great platform, and I think it was initially easier to learn than WordPress, but ultimately more limiting than WordPress. When the blook is complete, I will announce it here with great fanfare. I suspect there are a lot of bloggers out there who will be interested in How To Turn A Blog Into A Blook….. !

 

Learning WordPress Is Worth The Effort, For Self Publishing And More

 

Learning WordPress Builds Bridges To Other Knowledge

WordPress knowledge is a bridge to other website builder software… it is worth the time to learn it.

WordPress is a free blogging tool which can also be used to build entire websites. I highly recommend it for self publishing websites, particularly if you are a Do It Your Self Publisher, like me.

WordPress first came out in 2003, but I didn’t really catch on until after 2009. By then, everywhere I turned, I heard the advice to “learn WordPress” if I was going to blog about how to self publish a book.

So I did!
I learned enough to be dangerous, that is.
(Meaning, enough to seriously brick my own website if I am not careful…)

At first, I was kind of sulky, because everyone said that WordPress was easy peasy… and I didn’t find it so peasy.

Sure, it’s easy to get set up and going on a free blog at WordPress.com, which is an absolutely awesome site… but once I started to get cocky and stretch my wings a bit, I found that I needed to learn more advanced applications of WordPress.

For instance, I ran into my picture upload limit at WordPress.com so I migrated to self hosting, using BlueHost (which I am happy with) and built up my blog but did not install Akismet.

Those of you who know WordPress already know what happened…. within a couple of months I had over 30,000 comments on my blog, all from Viagra.

So I rolled up my sleeves and knuckled down, buckled down, and learned WordPress. And installed Askismet.

And I’m really glad I did, because I am able to build and maintain this website for my self publishing work, plus another website for the feathers I sell for crafts. And when I went back to tune up my website for my blown eggs for crafts, I was able to take that site-builder software much farther than before, because of everything I’d learned while learning WordPress.

So a big thank you shout-out to the original authors of WordPress and the world of developers who keep it growing… and now I join my voice to those who say: “If you are self publishing a book, learn WordPress and build your site and blog away…”

 

Author versus Publisher Arguments Are Different For Self Publishers

Self Publisher Author versus Self Publisher

Full moon nights are a bad time for board meetings at www.TheWestchesterPress.com, because we are a self publisher.

I am a writer. That’s how I think of myself. I am an author.

But because I am a self publisher… and more specifically, a Do It Your Self Publisher… I have some odd conversations with myself.

I had to become a publisher in order to self publish. And when I became a publisher, I began to think like a publisher… and that’s where I came into conflict with my author. Who is also myself.

As an author, I don’t want to be bothered by things like:

  • deadlines
  • page counts
  • copyright issues on photos I really want to include
  • marketability
  • distribution channels and their sensibilities

I’m an artist, see, and words are my palette. But my publisher keeps pushing red-lined columns of numbers under my nose, which is annoying.

I’m a publisher, see, and this is a business. But my arty smarty author doesn’t want to take a stroll in reality and see that a 300,000 word manuscript is very expensive to print but can only command the same cover price as a 100,000 word book. Less is more, less is more!

Before I started self publishing, I had a dream that if, one day, I had a book deal with a traditional publisher, then I wouldn’t ever have to worry about publisher things, and could write anything I pleased. But I’ve been reading the blogs of the traditionally published authors I revere, and I’m beginning to see that they still have to write inside the lines, market their own work, and stick to marketable book subjects. Well, actually, it wasn’t ME who figured that out, it was my self publisher… she kept bringing those things to my attention.

Both of us, author and self publisher, as well as the rest of us… the department heads of sales and marketing and shipping and finance, all try to work together to produce a book that will sell and sell. And some days, particularly around the full moon, it’s better to just crack open a bottle (box) of wine and settle down with somebody else’s good book.

 

 

My Review of… the book “A Chicken In Every Yard” by Robert and Hannah Lit

A Chicken In Every Yard by Robert and Hannah Lit

This is a GREAT how to raise chickens book, and I’m pleased to have it in my own urban homesteading library now.

The Urban Farm Store in Portland, Oregon has been a leader in the urban chicken movement and they’ve come out with one of the best, most complete, how to books ever.
It is called A Chicken In Every Yard, and I highly recommend it.

Robert and Hannah Lit started their store on Belmont, right in the middle of the city and have become a resource for the backyard chicken farmers all over Portland. Putting out a book was a natural extension of their work behind the counter, answering every question for every bewildered new urban farmer.

Their advice is uniquely suited for the small flocks that make up backyard chicken flocks, but it goes for big flocks too. The coop section is ideal for city chicken raisers. How to raise chickens is answered by “A Chicken In Every Yard,” and I’d say it is a must for an urban homesteaders library.

This kind of how to book is an essential part of successfully raising chickens. I really enjoy the fact that my book, “Just A Couple Of Chickens” sells well in feed stores across the country, because it’s a fun way to learn a lot about the ups and downs of chicken raising, and while I have a lot of chicken raising in there, my book can’t replace the How To available in the Lit’s book. I own the Lit book myself, because I need the information too.

Stores like The Urban Farm Store are a great place to get chicks for a new, or growing urban flock. They order a variety of breeds and you get to choose one by one. Another way to get chicks is to go to a poultry show, and there’s one coming up nearby, or to contact a local poultry association (like the PNPA) to find a breeder raising the kinds of chickens you are looking for. Portland has all of these resources, and not every place does… it’s a uniquely awesome aspect of this city.

If it is an urban homesteader’s dream to have A Chicken In Every Yard, then this book is a step towards making that happen.

 

 

Copyright 2012 Corinne Tippett & The Westchester Press
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