Should I Register My Copyright On My Book?

Sometime after writers stopped using quills as ink pens, our copyright laws came into being. The law assigns copyright when a work is created – you don’t have to register. But it’s a good idea, especially since today’s quill is a computer and the paper is online.

Copyright on a creative work exists as soon as the work is put to paper. The author doesn’t have to formally register the work with the US Copyright office, but it’s a good idea to do it before self publishing a book, or submitting for traditional publication.

An author does have to register the copyright before claiming a case of copyright infringement, and having registered the work long before there is any question of infringement can help your case.

I see it as a professional approach to my creative work, a finishing touch.

The creative work does not have to be published before registration, and in fact, due to recent changes by the US Copyright Office, if the work is unpublished, it can be uploaded electronically for the registration process – which is a change from having to mail a hard copy. (Mailing a hard copy is part of the Library of Congress Control Number process, which happens after the work is published – including self published…)

I recently went through the copyright process with the finished draft of my grandfather’s aviation history biography, and I have some tips.

  • Prepare an electronic copy of the manuscript that is smaller than 11.3 MB, because that is the single file upload limit and a full length manuscript is almost certainly bigger than that. Make a compressed PDF or split the document into several files… the upload process does allow one project in multiple files (up to six). So getting that ready in advance will help.
  • Choose a time when you can do the whole process in one session, so that you don’t risk stopping part way. It will take about an hour, depending on the copyright office’s online response time.
  • It will cost $35, (as of 2012) payable online at the time of registration, so having a credit or debit card ready is a good idea.
  • At www.copyright.gov, you first establish a profile and choose a user name and password. You’ll use this same profile for every work you register for copyright.
  • The first step isn’t very obvious, despite the care given to try and make the process more streamlined. It’s called Register A New Claim… and from there, you go step by step.

You will have to click a confirmation button at the very end of the process, and it isn’t complete until you do, so don’t leave the process until you’ve clicked that button. It’s not a very obvious button… the Staples Easy Button is a better design, but you’ll find it.

It’s not required to register – copyright is yours once you create a work – but it’s a good idea to do it when you’ve finished your book, before you self publish, or before you submit your book for publication. Add a copy of your work to our Library of Congress!

 

What is ICAO? (International Civil Aviation Organization!)

Col. C. J. Tippett and the International Civil Aviation Organization

Col. C. J. Tippett typed up reams of reports on this letterhead from 1948 to 1960. The International Civil Aviation Organization’s logo was based on founding parent, the United Nations. It’s a map of the world circled by two olive branches, to represent global peace, with wings, to represent aviation, and initials intended to represent the languages of the first ICAO convention. After 1960, Cyrillic and Chinese letters were added, but Tip’s tenure was before that much world peace had been accomplished.

My grandfather, Col. C. J. Tippett, was the Director of the South American Office of the International Civil Aviation Organization from 1948 to 1960… but what is ICAO? 

One of the many historically significant things that happened after two atomic bombs ended the Pacific part of World War II was the formation of the United Nations. Two wars had involved enough nations to be named “world wars” and many people felt it was time for some kind of “world government.”  Or at least oversight.

One of the first concerns of the United Nations was regulating nuclear science, since it clearly had already been weaponized. Their next concern was aviation, since the atomic weapons had been dropped from an airplane. Military aviation was not on the UN table, every victorious post-war country made that very clear, but civil aviation was under discussion.

The ready availability of war surplus aircraft was making it possible for almost every country with an organized government to stock up and form commercial airline companies, which were starting to fly all over the world…
And into each other.

So on April 4, 1947, the United Nations formed the International Civil Aviation Organization (ICAO) to “promote the safe and orderly development of international civil aviation throughout the world.”

The organization was headquartered in Montreal, Canada, but all of the plans would be implemented through four regional offices. There would be an office in Paris, Bangkok, Cairo, and Lima. Each office would have a director, and this is where Colonel C. J. Tippett came in.

The Director of the South American office, in Lima, Peru would be responsible for civil aviation policy in Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Panama, Paraguay, Peru, Uruguay, Venezuela, British and French Guyana, and Surinam.

The United States was only a member nation of the UN, and not officially in a leadership role. But when it came to influencing South America, there was powerful concern in North America, and the US State Department knew exactly who they wanted in charge of the Lima office.

Tip had already been working extensively in Argentina and Brazil. He was well known, and well liked, by many highly-placed people in South American governments, and had ties to so many Washington offices that it was hard to figure out which one was in charge of him on any given assignment. Tip was the only American offered an ICAO directorship, and the rest is history… described in his own words, and in mine, in the book.

He met fascinating people and did amazing things – too many to tell here, but one of his most significant early accomplishments was establishing English as the language of air navigation and communication throughout his region, even before it was adopted as the worldwide official language of civil aviation.

Safety was Tip’s top priority throughout his aviation life, and in his experience, there was no time to reach for a dictionary for a translation of… “Clear the runway, I’m coming in hot!”

The Past and Future of A Blog, www.TheFreeRooster.com

The Free Rooster is alive and well

My blog at www.TheFreeRooster.com is alive and well, hosted on Blogger.com and headed for a blook adventure!

Back in 2009, when I realized that I was learning how to self publish a book, I followed the advice of every resource I could find, and started a blog to promote my book.

The book was “Just a Couple of Chickens” and the blog was www.TheFreeRooster.com.

I blogged about raising chickens, urban chickens, rural chickens, things that ate rural chickens, economic disaster recovery strategies, and writing a book.

I also experimented with every gadget Blogger.com had to offer, and it went pretty well.

But I grew out of Blogger… I needed to do more than it would let me do for free. I discovered wordpress and self hosting, which required a lot of learning by doing, but in the end allowed me to do what I needed to do for the least possible price.

I created a new blog to support both my first book and my current book, the soon-to-be-available-now-in-traditional-publishing-submission biography of my grandfather, Col. C. J. Tippett…. and to squawk on about self publishing.

So where will www.TheFreeRooster.com go now? What will happen to it?

I have big plans for it… the first of which is to turn it into a blook, to preserve all the still useful information it contains. And then I plan to do big fun things with it starting fresh. Fun fresh things that are big.

In the meantime, it remains a live site with lots of gadgets down the side and an archive of useful information… Blogger is a great platform, and I think it was initially easier to learn than WordPress, but ultimately more limiting than WordPress. When the blook is complete, I will announce it here with great fanfare. I suspect there are a lot of bloggers out there who will be interested in How To Turn A Blog Into A Blook….. !

 

Learning WordPress Is Worth The Effort, For Self Publishing And More

 

Learning WordPress Builds Bridges To Other Knowledge

WordPress knowledge is a bridge to other website builder software… it is worth the time to learn it.

WordPress is a free blogging tool which can also be used to build entire websites. I highly recommend it for self publishing websites, particularly if you are a Do It Your Self Publisher, like me.

WordPress first came out in 2003, but I didn’t really catch on until after 2009. By then, everywhere I turned, I heard the advice to “learn WordPress” if I was going to blog about how to self publish a book.

So I did!
I learned enough to be dangerous, that is.
(Meaning, enough to seriously brick my own website if I am not careful…)

At first, I was kind of sulky, because everyone said that WordPress was easy peasy… and I didn’t find it so peasy.

Sure, it’s easy to get set up and going on a free blog at WordPress.com, which is an absolutely awesome site… but once I started to get cocky and stretch my wings a bit, I found that I needed to learn more advanced applications of WordPress.

For instance, I ran into my picture upload limit at WordPress.com so I migrated to self hosting, using BlueHost (which I am happy with) and built up my blog but did not install Akismet.

Those of you who know WordPress already know what happened…. within a couple of months I had over 30,000 comments on my blog, all from Viagra.

So I rolled up my sleeves and knuckled down, buckled down, and learned WordPress. And installed Askismet.

And I’m really glad I did, because I am able to build and maintain this website for my self publishing work, plus another website for the feathers I sell for crafts. And when I went back to tune up my website for my blown eggs for crafts, I was able to take that site-builder software much farther than before, because of everything I’d learned while learning WordPress.

So a big thank you shout-out to the original authors of WordPress and the world of developers who keep it growing… and now I join my voice to those who say: “If you are self publishing a book, learn WordPress and build your site and blog away…”

 

240 lb Bluefin Tuna caught at the Cabo Blanco Fishing Club in 1959

Col. C. J. Tippett at the Cabo Blanco Fishing Club

Col. C. J. Tippett caught a 240 lb Bluefin Tuna at the Cabo Blanco Fishing Club on March 2, 1959. When he wasn’t setting aviation records, he was going for fishing records!

A major and exciting part of my grandfather’s upcoming aviation history biography is the big game sportfishing that he did at the Cabo Blanco Fishing Club in Peru in the 1950s and 60s.

This was a legendary time in sportfishing, and Col. C. J. Tippett, known as Tip, was at the heart of it as he served on the Board as an honorary member. He was the club manager, and he fished alongside some of the biggest names in billfishing history.

On March 2, 1959, Tip landed a 240 pound Bluefin Tuna on rod and reel, which was not a world record, or even a club record… but it was a delicious source for the Club’s gourmet dinner menu. This was not his first and only Bluefin Tuna catch, he brought in so many fish that his granddaughers now feel compelled to contribute to the IGFA’s effort toward the Billfish Conservation Act.

It was a Monday, so Tip must have been pulling a long weekend away from his day job in one of the highest civil aviation posts of the era, working for the International Civil Aviation Organization (ICAO).

The Bluefin Tuna is a predatory fish and eats smaller fish, as well as squid. Tip’s usual bait was bonito, caught on hand lines by the boat crew or Tip’s daughter, Sue, when she joined her Dad at the Club. The bluefin tuna was not only huge, as tall as Tip and twice as wide, it was also a rocket. The fish can move incredibly fast through the water and puts up a stunning fight when hooked.

Back in Tip’s day, conservation was not yet part of the big game fishing world, but many of the millionaire members of the Cabo Blanco Fishing Club went on to lead conservation efforts. The fish that Tip caught in the 1950s and 60s would sell today for thousands of dollars each.

The book, as well as magazine articles about his story, are coming out soon… and I’ve got a mailing list building for people who want to be notified when the stories come out.

I never, ever, use that mailing list for any emails other than my own, and you can sign up here.

The stories of the Club in Tip’s memoir have me hooked tight.

 

 

 

 

 

Scary Chicken Story for Halloween 2012

Just A Couple Of Chickens tells about Buff Laced Polish Chickens

This Buff Laced Polish Rooster features in today’s scary Halloween chicken story… he was one of…. “Just a Couple of Chickens” (bwahaha!)

To celebrate October 31st, 2012, which is Halloween, I am going to tell you a story of a very scary chicken.

Only it wasn’t a chicken, was it?
How scary is a chicken?

It was a …………ROOSTER!

Now that’s scary.

By the time this true story took place, I had come to terms with the death of my rooster loving dreams.
I had raised several roosters, due to an unfortunate straight run order from a hatchery, and tried very hard to counsel them out of their brutal, blood-letting ways.

And I’d failed. I’d gotten scratched, pecked, slashed, and ambushed. I’d given up and perfected my rooster mole recipe.

But there was one guy left. My gentle, sweet, bumbling, slightly unsteady Buff Laced Polish.

He was a beauty. With a weird horned comb.

The day that I was down in a crouch, trying to collect eggs from the farthest corner of the hen house, I thought he was coming over to tell me a knock-knock joke.
Or show me a particularly good juicy bug in the straw.

It was therefore a complete surprise to see him, as if in slow motion, leap into the air like a nasty ninja and stretch out his wickedly sharp spurs in a full-out attack.

He could have laid open my face to the bone… if he hadn’t clotheslined himself on the hen house door.

It was kind of funny, but I was shaken. If he hadn’t collapsed in a whomping crunch on the hen house doorstep, I would have been in big trouble.  His spurs were over two inches long.

Pretty scary…

I acknowledge that there are lots of people out there who have good rooster stories, but I haven’t lived them myself. At the end of the day, there’s a reason the rooster is free....

Happy Halloween!

 

Author versus Publisher Arguments Are Different For Self Publishers

Self Publisher Author versus Self Publisher

Full moon nights are a bad time for board meetings at www.TheWestchesterPress.com, because we are a self publisher.

I am a writer. That’s how I think of myself. I am an author.

But because I am a self publisher… and more specifically, a Do It Your Self Publisher… I have some odd conversations with myself.

I had to become a publisher in order to self publish. And when I became a publisher, I began to think like a publisher… and that’s where I came into conflict with my author. Who is also myself.

As an author, I don’t want to be bothered by things like:

  • deadlines
  • page counts
  • copyright issues on photos I really want to include
  • marketability
  • distribution channels and their sensibilities

I’m an artist, see, and words are my palette. But my publisher keeps pushing red-lined columns of numbers under my nose, which is annoying.

I’m a publisher, see, and this is a business. But my arty smarty author doesn’t want to take a stroll in reality and see that a 300,000 word manuscript is very expensive to print but can only command the same cover price as a 100,000 word book. Less is more, less is more!

Before I started self publishing, I had a dream that if, one day, I had a book deal with a traditional publisher, then I wouldn’t ever have to worry about publisher things, and could write anything I pleased. But I’ve been reading the blogs of the traditionally published authors I revere, and I’m beginning to see that they still have to write inside the lines, market their own work, and stick to marketable book subjects. Well, actually, it wasn’t ME who figured that out, it was my self publisher… she kept bringing those things to my attention.

Both of us, author and self publisher, as well as the rest of us… the department heads of sales and marketing and shipping and finance, all try to work together to produce a book that will sell and sell. And some days, particularly around the full moon, it’s better to just crack open a bottle (box) of wine and settle down with somebody else’s good book.

 

 

Copyright 2012 Corinne Tippett & The Westchester Press
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